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平成28年度以降入学者 | Introduction to the History of Japanese Art | ||||
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平成27年度以前入学者 | Introduction to the History of Japanese Art | ||||
教員名 | 髙松 麻里 | ||||
単位数 | 2 | 学年 | 1~4 | 開講区分 | 文理学部 |
学期 | 前期 | 履修区分 | 選択 |
授業テーマ | Japanese visual culture has been formed through ceaseless negotiations with foreign ideas, technology and artistic creations. This course examines a variety of visual art produced in Japan from the prehistoric period to the present, paying particular attention to the global context of its creation. Roughly chronologically organized, each class explores issues such as the construction of “Japan-ness” in architecture and painting; the impact of transcultural faiths, namely Buddhism and Christianity; and the ramifications of modern technology. |
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授業のねらい・到達目標 | The course aims to familiarize students with artworks, artistic mediums and the historical development of Japanese visual culture in order to critically interpret these in terms of both similarities and differences with the productions of other visual cultures. |
授業の方法 | Each session will consist of a lecture followed by a class discussion. One or two readings either in Japanese or English will be assigned every week and they are expected to be completed before each class meeting. Students are required to submit a short reaction note about the reading and lecture every week. |
事前学修・事後学修,授業計画コメント | No prior knowledge is required. Students need to go to at least one exhibition of Japanese pre-modern art for their final project. |
授業計画 | |
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1 | Introduction: What is Japanese Art? |
2 | "Japan-ness” in Architecture 01: Ise Shrine and Chōgen’s Rebuilding of Tōdaiji |
3 | "Japan-ness” in Architecture 02: Katsura Detached Palace and Nikko Tōshōgū Mausoleum |
4 | Media in Japanese Painting: Emaki, Kakemono, and Byōbu, and Two Modes of Japanese Paining: Yamato-e and Kara-e |
5 | Buddhism 01: Representations of Buddhist Cosmology |
6 | Buddhism 02: Zen Buddhism and New Aesthetics: Ink Painting, Flower Arrangement, Tea Ceremony |
7 | Hybridity in Nanban Arts 01: The Impact of Christian Imagery in the 16-17th Centuries |
8 | Hybridity in Nanban Arts 02: Screens, Lacquer Wares, and Fashion |
9 | Interpreting Nanban Screen at the Kobe City Museum |
10 | Influence of European Painting 01: Adaptation of One-point Perspective |
11 | Influence of European Painting 02: Material, Technique and Subject |
12 | Modernism in Asia |
13 | Final Presentation |
14 | Test week |
15 | Manga as Global Enterprise |
その他 | |
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教科書 | No text book is required. Reading will be provided via photocopy. |
参考書 | N/A |
成績評価の方法及び基準 | 平常点(70%)、レポート(15%)、Presentation(15%) *Attendance, Participation (discussion based on the reading assignments), and Weekly Reaction Note: 70% *5 min presentation: 15% *1 final short paper, 3-5 double-spaced pages (Due July 14, Tuesday, in class): 15% |
オフィスアワー | after your class |
備考 | N/A |